Saturday, December 21, 2019
Rhetorical Appeals On The Life Of A Villain - 1798 Words
Rhetorical Appeals in the Life of a Villain ââ¬Å"A villain is just a victim whose story hasnââ¬â¢t been toldâ⬠(Chris Colfer). Stinky Pete of Toy Story 2, is plotted to be the ââ¬Å"bad guyâ⬠of the film. Heââ¬â¢s could also be classified as a sympathetic villain, which will be explained further later. Now, you may or may not have heard of the rhetorical appeals before, but little does one know, that the three rhetorical appeals are applied to the film Toy Story 2 and its villain. Let me break it down for you, long ago, there was a brilliant man named Aristotle who noticed a pattern that occurred in language to persuade people to believe a certain thing that was either being marketed, campaigned, or publicly presented. He took notice in the fact thatâ⬠¦show more contentâ⬠¦Woody, who wanted to go back home to Andy and his friends, was hesitant to agree to go to Japan. The Prospector then became afraid of going back into storage when he was so close to freedo m and made it his personal goal to keep Woody from leaving. Stinky Pete then became a sympathetic villain here because the actions and decisions he made were all from a fear of being alone and in a box for the rest of his life. The prospector then with all his power uses any method to try to keep Woody from returning home which leads him to use the first rhetorical appeal, ethos. Everybody naturally will respect an elderly person in their life because of the wisdom and knowledge they have gained over the years, therefore, it was no different for Woody to naturally respect Stinky Pete. The Prospector used this to his advantage and created a strong appeal to ethos. Out of all four members, Stinky Pete would have to be the most valuable since he had never been opened or taken out of his box. Proven by when Jessie tells Woody, ââ¬Å"The Prospector! He ll wanna meet ya! Say hello to the Prospector!â⬠, Woody then replies, ââ¬Å"I-It s a boxâ⬠, ââ¬Å"Heââ¬â¢s mint in the bo x, never been openedâ⬠, Jessie says (Toy Story 2). Since The Prospector had a higher value, it helped him seem credible and trustworthy to Woody; As well as to Jessie when she wasnââ¬â¢t sure of things or about what to do. ForShow MoreRelatedThe Elements Of Comic Books1300 Words à |à 6 PagesGenres are shaped by the elements that the samples display, or by the rhetorical devices that they seem to share. Genres such as comic books tend to have many elements in common; however, more similarities can be detected when the scope of the genre is further narrowed. Most specifically, a multitude of comic books display elements of mythology. Whether it be the characters or the archetypes displayed throughout, mythology has played a large role in todayââ¬â¢s and the pastââ¬â¢s comic books and art basedRead MoreRhethorical Analysis Movie Shrek1709 Words à |à 7 PagesSalma Segebre Ms. Krivel AP Language October 5, 2012 Shrek Rhetorical Analysis Essay People have always watched fairytales at a very young age, growing up to believe in them. Some watched them to obtain some kind illusion, for pure entertainment, and others for the sake of love. However, not every fairytale has a purpose of giving us an illusion, of entertaining us, or making us believe in love. Shrek is not a typical fairytale. Even though many people see Shrek alongRead MoreThe Yellow And A Cold Blue Color1767 Words à |à 8 Pagesmask and has leather gloves on his hands. The person on the right is The Weeknd with his familiar dreadlock hair. After slamming shut his fiery cigarette lighter, the masked person gently tightens his glove. Knowing it is his last chance to save his life, The Weeknd tries to escape from the zip ties holding his hands and legs firmly onto the chair. Consequent booms of high-pitched sounds accompany the mysterious man as he stealthily walks towards The Weeknd. He harshly covers his head with a transparentRead MoreEthos And Pathos In Sherman Alexies Superman And Me1183 Words à |à 5 Pagesto me when I learned to read.â⬠Through the personal essay of ââ¬Å"Superman and Meâ⬠, a widespread audience learns the importance of reading and the concept that one does not need to be wealthy to learn. In this personal essay by Sherman Alexie, he uses appeals such as ethos, logos, and pathos and styles such as diction and syntax to achieve the purpose and reach the audience. Ethos, or argument by character is prevalent in this essay because of Sherman Alexieââ¬â¢s extreme credibility. Considering this essayRead MoreAnalysis Of The Adventures Of Pinocchio By Carlo Collodi1537 Words à |à 7 Pagesââ¬Å"https://quizlet.com/302172/rhetorical-terms-flash-cards/â⬠ââ¬Å"Three grey geese in a green field grazing, Grey were the geese and green was the grazing.â⬠Three Grey Geese by Mother Goose 2 allusion ââ¬Å"A reference to a well-known person, place, or thing, from literature, history, etc.â⬠ââ¬Å"https://quizlet.com/302172/rhetorical-terms-flash-cards/â⬠ââ¬Å"I was surprised his nose was not growing like Pinocchioââ¬â¢s.â⬠The Adventures of Pinocchio by Carlo Collodi 3 anadiplosis ââ¬Å"The rhetorical repetition of one or severalRead MoreThe Rhetorical Success Of Food Inc.1539 Words à |à 7 PagesThe Rhetorical Success of Food Inc. The act of consuming food is one of the most intimate parts of the human experience. Humans eat for sustenance and pleasure, for better or for worse. The necessity of food is one of the unavoidable, unchangeable facts of life. Everyone eats; therefore no one is immune or exempt from the consequences of prioritizing cheapness and convenience over nutritional value and environmental impact. The 2008 documentary film, Food Inc., argues that in the last half centuryRead MoreKing Richard Iii and Looking for Richard Essay1602 Words à |à 7 Pagesââ¬Å"I that am not shaped for sportive tricksâ⬠¦I that am curtailedâ⬠¦Ã¢â¬ . Through the subtle use of anaphora and repetition of ââ¬ËI that amââ¬â¢, which is fleshed out by a definitive tone, the audience is made aware of how Richard is led ostensibly ââ¬Å"to prove a villainâ⬠and thus, adopt a disguise. Moreover, Richardââ¬â¢s theatricality is stressed as he embarks as a ââ¬Ëmasterââ¬â¢ of his own fate, for h e perceives himself as ââ¬Å"subtle, false, and treacherousâ⬠. His sinister intentions are exemplified by the use of tricolon, evocativeRead MoreAnalysis Of Leo Tolstoy s The Great Anton Chekhov 1621 Words à |à 7 Pagescharacters: Who is the villain of the piece, and who its hero? All the characters are equally blameless and equally wicked. Neither Kalugin with his gentleman s bravado (bravoure de gentilhomme) and personal vanity ââ¬â the motive force of all his actions ââ¬â not Praskukhin who, in spite of the fact that he falls in battle for Church, Tsar and Fatherland is really nothing more than a shallow, harmless individual, nor Mikhailov with his cowardice and blinkered view of life. Nor Pest ââ¬â a child withRead MoreCompare and Contrast the Funeral Speeches of Brutus and Mark Antony. Which Is More Effective and Why?1015 Words à |à 5 PagesCompare and contrast the funeral speeches of Brutus and Mark Antony. Which is more effective and why? When Brutus goes up to speak to the crowd he appeals to them as ââ¬Å"Romansâ⬠before all else. As this keeps with his reason for joining the conspiracy the audience can see that he is honourable and trustworthy. The roman public may also know this because they hail him as ââ¬Å"nobleâ⬠Brutus and Brutus also asks them at the start of his speech to ââ¬Å"Believe me for mine honourâ⬠. Brutus repeatedly uses ââ¬Å"honourâ⬠Read MoreAssumptions About Documentaries and an Analysis of The Catfish1590 Words à |à 7 Pagesthat broaden limited horizons and awaken new possibilities.â⬠(Nichols,1) ââ¬Å"Not all documentaries, of course, are sober-minded, stodgy affairs any more than all political speeches or all scientific reports are dull. Wit, imagination, and persuasive rhetorical skills come into play in many cases.â⬠(Nichols,38) Imagination does exist in documentary, Nichols talked about how documentaries werenââ¬â¢t only just informational or polit ical speeches. An example of a documentary that involves a lot of imagination
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